Les elgart biography

They were exposed to musical Lester Elliott Elgart (August 3, – July 29, ) was an American swing jazz bandleader and trumpeter. Born in New Haven, Connecticut, Elgart grew up in Pompton Lakes, New Jersey with his brother Larry. [1]. They were exposed to musical influences early in their lives.

Lester Elliott Elgart was American swing band leader, formerly lead trumpet player for the orchestras of Bunny Berigan, Charlie Spivak and Hal McIntyre. In , Les formed his own organisation in Brooklyn, New York, in tandem with his alto saxophonist-playing brother Larry Elgart.

Throughout the band's golden years,

Biography: Lester Elliott Elgart (August 3, – July 29, ) was an American swing jazz bandleader and trumpeter. Early Years. Born in New Haven, Connecticut, Elgart grew up in Pompton Lakes, New Jersey with his brother Larry. They were exposed to musical influences early in their lives.

Elgart was born August 3, Les never sought out the solo spotlight, but Larry earned a reputation as a master of technique, if not innovation, on the alto sax. Occasionally the brothers found themselves playing in the same bands, and soon after the end of World War Two, they decided to get together and form their own group.

Elgart, Les(ter) Elliot(b. 3 Lester Elliott Elgart (August 3, – July 29, ) was an American swing jazz bandleader and trumpeter.

Les Elgart began playing American swing jazz bandleader and trumpeter. Born August 3, , New Haven, Connecticut, USA. - Died July 29, , Dallas, Texas, USA. During the s, Les was a member of bands led by Raymond Scott, Charlie Spivak and Harry James, sometimes finding himself alongside his brother saxophonist Larry Elgart.

Les Elgart (August 3, Lester Elliott Elgart (August 3, – July 29, ) was an American swing jazz bandleader and trumpeter. Born in New Haven, Connecticut, Elgart grew up in Pompton Lakes, New Jersey with his brother Larry. They were exposed to musical influences early in their lives.

Les Elgart was born Les Elgart (trumpet) and his brother Larry (alto/soprano sax) led one of the more popular swing orchestras of the '50s. Their smooth, tightly arranged sound helped keep the declining big-band style alive.